or you need more I/O for workflow.īut really, something like a $500 Focusrite sounds much better then stuff we had 20 years ago. The only reason IMO to replace something is because you bought a new computer and need something current. In this day and age the sonic part of the tech is pretty mature. So this didn't go in the direction I'd have thought. outside and isolated from everything else on a record sound kinda sterile.
Otherwise, if you keep flipping the treble & bass adjustments on your studio monitors every time you sit down all that's going to do is whip your head around.Īnd fwiw, I may have missed any context but most guitars on their own. then you can start to pick things apart and apply them to your own work. Once those good sound, and hopefully reveal new details in the recordings. Probably the first best thing is to get your audio monitors setup and dialed in to a point where you can listen to and enjoy the sound of your favorite albums. Then being able to make decisions based on what your hearing. Recording & production is really about listening. My old studio partner had a 1st gen Scarlett and it was never a sonic bottleneck in anything we recorded.
#Blackmagic multidock tb3 pro#
Like said the Focusrite stuff is way better then what was in pro studios 20 years ago. Like 1.6ms vs 1.9 and IMO, at that point we're getting fairly picky. The church is somewhat small, but very warm and friendly just like the community in which it is located. the reported (probably not real world!) latency with T3 is a hair lower. looking at something like Motu or Apogee that can connect with either Thunderbolt 3 or USB 2.
which, even with the analog desk things sometimes get a little weird with latency because of workarounds & DAW vs hardware monitoring based on the limits of my interface.įrom what I gather all things being equal. I'm looking at new interfaces now not because of tonal reasons, but because of bottlenecks in workflow.įew months ago I replaced a larger console with a baby SSL and I've been hitting the wall in terms of overall routing.
#Blackmagic multidock tb3 full#
It's an improvement (I only get around 330-350MB/s from my Multidock 2) but I would have preferred one that could also take M2 SSDs and ran at the full Thunderbolt 3 speed of 40Gb/s. There are a lot of things that happen in a finished professional recording between the microphone and what comes out of speakers in your living room. This one on paper does 1.2GB/s, which you might get close to by running 2 or 3 SSDs in a RAID0. new microphones or maybe new monitors to get a better insight on what your hearing. If your unhappy with the overall sound of things there's about a million other things you could look at. The connection of the interface has zilch to do with tone.
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